Play Along Piano

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counterpoint

J.S. Bach: Chorale: Es ist genug (BWV 60, #5) with analysis

BSG

1:21	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		12	0	3	6	100%
Bass		15	0	5	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		12	0	3	6	100%
Bass		15	0	5	6	100%
Contrabass		15	0	5	6	100%
Soprano		6	0	1	4	100%
Tenor		12	0	4	5	100%

J. S. Bach: Arioso - Betrachte, meine Seele (aus Johannespassion, BWV 245)

BSG

2:00	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Liuto		15	0	4	2	89%
		25	0	9	4	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Liuto		15	0	4	2	89%
		25	0	9	4	100%
Cto		16	0	5	1	100%
Vn 1		18	0	7	1	100%
Vn 2		19	0	6	1	100%
Bass		16	0	5	4	83%

J. S. Bach: Sarabande (B minor orchestral suite, BWV 1067, #3)

BSG

3:15	Est. Play Time
34	Measures
	1,126Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute, Vln 1		18	0	6	7	100%
Violin		18	0	6	7	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute, Vln 1		18	0	6	7	100%
Violin		18	0	6	7	100%
Violin 2		18	0	5	6	97%
Contrabass		18	0	5	5	94%
Vcl/Continuo		18	0	5	5	94%
Viola		17	0	5	6	94%
Harpsichord		21	18	7	12	44%
		18	0	5	5	92%

J.S. Bach: Chorale: Betrübtes Herz, sei wohlgemut (BWV 428) with full analysis

BSG

1:00	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	3	5	100%
Bass		17	0	5	3	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	3	5	100%
Bass		17	0	5	3	100%
Contrabass		17	0	5	3	100%
Soprano		8	0	0	4	100%
Tenor		9	0	1	4	100%

J. S. Bach: Ach Gott und Herr (“simple” chorale, BWV 48, #3)

BSG

0:40	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	4	5	100%
Bass		18	0	6	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	4	5	100%
Bass		18	0	6	4	100%
Contrabass		17	0	6	4	100%
Soprano		6	0	0	5	100%
Tenor		11	0	2	4	100%

J. S. Bach: Christus, der uns selig macht (Urfassung; BWV 620A)(on Grabowski/Hauptwerk Giubiasco)

BSG

1:51	Est. Play Time
25	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		21	0	8	6	94%
		17	0	6	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		21	0	8	6	94%
		17	0	6	6	100%
		12	0	3	5	100%
Bass Trombone		12	0	3	5	100%

J.S. Bach: Unter deinen Schirmen (BWV 227, #3)

BSG

1:05	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		12	0	2	5	100%
		10	0	3	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		12	0	2	5	100%
		10	0	3	4	100%
Alto		10	0	1	5	100%
Bass		14	0	3	4	100%
Tenor		13	0	4	4	100%

J.S. Bach: Chorale: Es woll uns Gott genädig sein (BWV 76, #7)

BSG

2:43	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		17	0	4	6	100%
		16	0	6	4	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		17	0	4	6	100%
		16	0	6	4	100%
Realization		16	46	5	7	100%
Tromba		11	0	1	5	100%
Viola		18	0	6	6	100%
Continuo		25	0	8	4	92%
Violoncello		25	0	8	4	92%
Alto		14	0	4	5	81%
Bass		16	0	4	4	81%
Soprano		11	0	1	4	81%
Tenor		15	0	5	6	81%

Jesu, deine Passion (di BSG 1996) (chorale-setting)

BSG

1:44	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		16	0	5	7	91%
		16	0	5	5	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		16	0	5	7	91%
		16	0	5	5	100%
		17	0	7	5	100%
Violin		12	0	4	6	100%
		8	0	1	7	100%
Alto		12	0	4	6	100%
Bass		16	0	5	5	100%
Contrabass		16	0	5	5	100%
Flute		8	0	1	7	100%
Ob d C		12	0	4	6	100%
Soprano		8	0	1	7	100%
Tenor		17	0	7	5	100%
Vcl+Cb.		16	0	5	5	100%
Viola		17	0	7	5	100%

J.S. Bach: Weg mit allen Schätzen (BWV 227, #7)

BSG

1:03	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	4	5	100%
Bass		16	0	5	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	4	5	100%
Bass		16	0	5	4	100%
Soprano		12	0	2	5	100%
Tenor		13	0	3	5	100%

16 voice quadruple canon

boblucassen

1:08	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	0	1	5	77%
		17	0	1	5	99%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	0	1	5	77%
		17	0	1	5	99%
		17	0	1	5	85%
		17	0	1	5	92%
		14	0	0	3	79%
		14	0	0	3	94%
		14	0	0	3	87%
		15	0	0	3	100%

Missa Napolitana Kyrie

Coolguyzack

0:50	Est. Play Time
25	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor		6	0	0	2	100%
Soprano		8	0	0	4	88%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor		6	0	0	2	100%
Soprano		8	0	0	4	88%
Alto		10	0	1	4	84%
Bass		8	0	1	4	44%

Air from Suite in D Major

bassoflauto

2:43	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		14	0	5	8	100%
		19	0	5	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		14	0	5	8	100%
		19	0	5	5	100%
		17	1	4	4	100%
Alto Flute		16	0	6	4	100%

Orchestration Practice no. 1

Drop Kenny

0:26	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute 1		8	0	1	4	90%
Flute 2		6	0	1	4	90%
View all 18 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute 1		8	0	1	4	90%
Flute 2		6	0	1	4	90%
Violin 1		9	0	1	3	90%
Violin 2		8	0	1	3	90%
Violoncello		11	0	2	3	90%
Viola		10	0	2	4	80%
Contrabass		13	0	2	5	70%
Harp		13	10	2	3	60%
		9	3	1	3	30%
Oboe 1		4	0	0	3	60%
Oboe 2		5	0	0	3	60%
Timpani		3	0	0	5	60%
Bassoon 1		6	0	1	3	40%
Bassoon 2		5	0	1	3	40%
B♭ Clarinet 1		4	0	0	2	30%
F Horn 1 amp;amp; 3		2	0	1	1	30%
F Horn 2 amp;amp; 4		3	0	0	1	30%
B♭ Clarinet 2		3	0	0	2	20%

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